A Chorus Line

Available Roles

• Zach Inspired by A Chorus Line co-conceiver, director and choreographer Michael Bennett Zach is the director and choreographer of the show For much of the show, his voice comes from the darkened theater seats, a commanding presence that controls the dancers fates He is authoritative, demanding, and unafraid to challenge the dancers with deeply personal questions, forcing them to reveal their vulnerabilities His approach is intimidating, but it reflects the real-world harshness of the Broadway casting process
• Cassie Ferguson Cassie Ferguson is one of the most complex and central characters in A Chorus Line Unlike the younger dancers, she has already had a taste of success as a featured performer but finds herself struggling to sustain her career Her return to the audition line reflects both desperation and resilience she is older than many of the others and is trying to start over, willing to take a spot in the chorus rather than lead roles
• Maggie Winslow 25, from San Mateo, CA Maggie Winslow is one of the gentler, more tender characters in A Chorus Line She has a sweet, almost wistful personality, and her story is infused with nostalgia Unlike some of the others, who approach the audition with boldness or sarcasm, Maggie carries herself with a quiet dignity She is not the loudest or flashiest dancer, but her vulnerability makes her memorable
• Mike Costa 24, from Trenton, NJ Mike Costa is one of the most dynamic and athletic dancers in A Chorus Line He is full of energy, confidence, and swagger, often presenting himself as the bold young man eager to prove himself Mikes personality is lively and extroverted, which makes his presence on stage stand out He is competitive but also charismatic, a combination that embodies the spirit of many ambitious dancers
• Connie Wong 32 (but claims shes 21), from the Lower East Side of New York City Connies career started early on, when she appeared at age 5 in The King and I She dreamed of becoming a prima ballerina, like Maria Tallchief, but her height was a huge hindrance She took up cheerleading, where her height was a boon, but always loved dancing the most Connie struggles with the tap combination, unable to relax and let loose Although she lies about her age initially, Connie eventually reveals it without apology She dreams of leaving the business and moving to a farm in Vermont with her husband Connie Wong is a lively and witty dancer whose presence injects both humor and warmth into the show As one of the smaller dancers physically, she often jokes about her height, highlighting how shes frequently overlooked or underestimated in the industry Despite this, Connie carries herself with a confident and upbeat personality, refusing to let her stature define or limit her
• Greg Gardner 32 years old, and very East Side Greg is Jewish and flamboyantly gay Hes sassy, funny, and has done and seen it all -- drugs, sex, or dance He loves his job, mostly because for him, its play Gregs real name is Sidney Kenneth Beckenstein, and his Hebrew name is Rochmel Lev Ben Yokov Meyer Beckenstein, but hes changed it to Greg Garner to fit in Greg discovered his sexuality at a young age when making out with a girl When she asks if hed like to take the romance further, Greg realizes that he doesnt, and comes to the conclusion that hes actually gay
• Sheila Bryant 30, from Colorado Springs, CO Sheila Bryant is one of the most striking and complex figures in A Chorus Line At thirty, she is one of the oldest dancers auditioning, and she carries herself with a cool, sardonic wit that often masks her insecurities Sheila exudes confidence on the surface, but her sharp humor and cutting remarks are often a defense mechanism, protecting her from the fear of rejection and from the reality of her age in a youth-driven industry
• Bobby Mills 25, from Upstate NY Bobby Mills Jr is one of the more flamboyant and comedic figures in A Chorus Line He uses humor as both a defense mechanism and a way to command attention His monologues are filled with outrageous anecdotes about his eccentric childhood and his tendency to get into trouble His personality leans toward the eccentric and sarcastic, often delighting the audience with his wit
• Bebe Benzenheimer 22, from Boston Bebe Benzenheimer is a thoughtful and somewhat insecure dancer, wrestling with questions of identity and self-worth She comes across as sensitive and introspective, revealing that she often struggled with comparisons to her parents expectations Bebes reflections center on her relationship with her mother, who constantly pushed her toward a conventional life rather than the stage This tension between parental approval and personal passion is central to her story
• Judy Turner 26, from El Paso, TX Awkward, scatterbrained, and charming, often delighting the audience with her quirky personality She comes across as somewhat ditzy at times, but her charm lies in her openness and sincerity Judy doesnt try to project an image of perfectionshe embraces her awkwardness and lets her natural humor shine through, which makes her instantly likable
• Richie Walters 27, from Herculaneum, MO African-American Richie Walters is one of the most vibrant and charismatic dancers in the show He exudes energy, confidence, and humor, often bringing a burst of liveliness to the audition room Richie is confident in his abilities, but unlike some of the more arrogant characters, he maintains a sense of joy and playfulness that makes him especially appealing
• Al DeLuca Al DeLuca is a confident, streetwise dancer from the Bronx He projects a tough, slightly cocky demeanor, shaped by his working-class, Italian-American background His personality is pragmatiche doesnt indulge in long stories about dreams or insecurities, preferring instead to present himself as capable and grounded He comes across as steady and self-assured, not someone who is shaken easily by the pressures of the audition room
• Kristine Urich (DeLuca) 23, from St Louis, MO Kristine is one of the more endearing comic characters in A Chorus Line She is defined by her nervous energy and her insecurity about her singing voice While she is a skilled dancer, she openly admits that singing has always been her weak spot This vulnerability sets her apart from others in the audition, who tend to project confidence even when they are nervous
• Mark Anthony 20, from Tempe, AZ Mark Anthony is the youngest dancer in the audition, radiating youthful enthusiasm and energy He is eager to share his experiences, sometimes with the unfiltered candor of someone who has not yet learned the art of restraint His personality is earnest, excitable, and slightly awkward, which makes him endearing to both the audience and the other dancers
• Paul San Marco 27, from Spanish Harlem, NY Paul San Marco is perhaps the most emotionally powerful and layered character in A Chorus Line He is soft-spoken at first, almost hesitant to reveal much about himself, but when Zach presses him, Paul delivers a heart-wrenching monologue that becomes the emotional centerpiece of the musical His journey is one of self-discovery, shame, resilience, and ultimately acceptance
• Diana Morales 27, from the Bronx, NY Puerto Rican Tough, streetwise, eager to leave her home and make her dreams come true Diana is one of the most outspoken and passionate dancers in A Chorus Line She exudes energy, warmth, and a no-nonsense attitude, which makes her stand out among the group From the very beginning, Diana asserts herself as someone unafraid to speak up, whether its to challenge Zachs methods or to share her personal experiences honestly Her straightforwardness is balanced by her sense of humor, which makes her instantly engaging
• Val Clark 25, from a small town called Arlington, VE Val Clark is brash, outspoken, and unapologetically confident in her pursuit of success She is one of the most memorable characters in the show because of her candidness about how she got ahead in the industry Val is not afraid to talk openly about the pressures placed on dancers, especially women, to meet certain physical standards in order to book jobs Her bold personality ensures that she commands attention whenever she speaks
• Larry Larry is Zachs assistant choreographer, serving as a bridge between the intimidating director and the vulnerable dancers Unlike Zach, Larry interacts directly with the performers in a more supportive and approachable manner He demonstrates choreography, organizes the line, and manages the auditions pacing His presence is practical yet reassuring, a counterbalance to Zachs distant and probing persona
• Don Kerr 26, from Kansas City, KS Married, but used to work at a strip club Cool, cocksure, and flirtatious, Don loves cars, money, and women Don is a charming, easygoing dancer with a laid-back personality that contrasts with some of the more intense auditionees He carries himself with confidence, but without the edge of arrogance Don comes across as someone who takes life as it comes, using humor and casual banter to lighten the mood during the audition His personality is friendly and approachable, making him one of the more relaxed figures in the group
• Tricia One of the dancers who is cut in the first round Tricia dances too big in the ballet combination She has a solo in I Hope I Get It
• Vicki One of the dancers who is cut in the first round Sexy and bubbly Not a trained dancer, and struggles to get through the combinations She asks Larry to stand in front of her so she can follow him
• Roy One of the dancers who is cut in the first round He has had only one year of ballet training, and he frequently brings his arms down on the wrong beat
• Lois One of the dancers who is cut in the first round A ballerina who struggles with the jazz combination
• Butch One of the dancers who is cut in the first round Has a bit of an attitude Doesnt correct his mistakes in the jazz combination
• Tom One of the dancers who is cut in the first round Mouths the counts under his breath, but never speaks
• Frank One of the dancers who is cut in the first round Looks at his feet while dancing